Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of LEONARDO da Vinci 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
38466 Plan fur a canal to the evasion of the Arno LEONARDO da Vinci Plan fur a canal to the evasion of the Arno mk137 1503-1504 feather and ink Uber of black chalk 33.5x48.2cm Royal Library, Windsor Castle.
38514 Portrait LEONARDO da Vinci Portrait mk137 ca. 1495 Pastelkkreide and charcoal. 40x32cm Pinacoteca di Brera, Milan
30959 Portrait de femme,dit a tort La belle ferronniere LEONARDO da Vinci Portrait de femme,dit a tort La belle ferronniere mk70 Bois. H.0,63; L.0,45 Paris,Musee du Louvre
30958 Portrait de Mona Lisa dit La joconde LEONARDO da Vinci Portrait de Mona Lisa dit La joconde mk70 Bois H.0.77 L.0.53 Paris,Musee du Louvre
7860 Portrait of a Musician dey LEONARDO da Vinci Portrait of a Musician dey 1490 Oil on panel, 43 x 31 cm Pinacoteca Ambrosiana, Milan
91243 Portrait of Cecilia Gallerani LEONARDO da Vinci Portrait of Cecilia Gallerani between 1483(1483) and 1490(1490) Medium oil on panel cyf
84716 Portrait of Ginevra de Benci LEONARDO da Vinci Portrait of Ginevra de Benci Date between 1474(1474) and 1478(1478) Medium Oil on wood Dimensions Height: 38.8 cm (15.3 in). Width: 36.7 cm (14.4 in). cjr
7851 Portrait of Ginevra de' Benci sg LEONARDO da Vinci Portrait of Ginevra de' Benci sg 1474-46 Oil on wood, 38,8 x 36,7 cm National Gallery of Art, Washington
38506 Portrat of a Madchens LEONARDO da Vinci Portrat of a Madchens mk137 ca. 1485 metal pencils 18x16cm Biblioteca real, Turin
38475 Portrat of a musician LEONARDO da Vinci Portrat of a musician mk137 ca. 1485 oils on wood chalkboard 43x31cm Pinacoteca Ambrosiana. Milan
38468 Portrat of Isabella d-Este LEONARDO da Vinci Portrat of Isabella d-Este mk137 1500 black chalk with traces of Rotel in the hair and in the skin and Hohungen in bubble yellow in the dress 61x46cm muse you Louvre, Paris
38520 Portrats of two men LEONARDO da Vinci Portrats of two men mk137 ca.1487-1490 feather and ink 16.3x14.3cm Royal Library, Windsor Castle
34678 Power and ortraits LEONARDO da Vinci Power and ortraits mk94
38499 Profile of a child LEONARDO da Vinci Profile of a child mk137 ca.1495Rotel on paper 10x10cm Royal Library, Windsor Castle
38519 Profile of a man LEONARDO da Vinci Profile of a man mk137 ca.1506-1508 feather and ink, Rotel and black chalk 14.7x10.4cm Galleria Dell' Accademia, Venice
38446 Profile of an old man LEONARDO da Vinci Profile of an old man mk137 ca.1485-1490 feather and ink 7.8x5.6cm Biblioteca Ambrosiana, Milan
38447 Profile of an old man LEONARDO da Vinci Profile of an old man mk137 ca. 1480 feathers and ink 7.2x5.5cm Biblioteca Ambrosiana, Milan
38453 Profile of an old man LEONARDO da Vinci Profile of an old man mk137 ca.1510 black chalk and Rotel 22.2x16cm Royal Library, Windsor Castle
38454 Profile one with book leaves gekroten of old man LEONARDO da Vinci Profile one with book leaves gekroten of old man mk137 ca.1506-1508 feather and ink, Rotel on paper 16.8x12.5cm Biblioteca real, Turin
38523 Profiles of a young and an old man LEONARDO da Vinci Profiles of a young and an old man mk137 ca.1500-1505 Rotel,21x15cm Galleria degli Uffizi, Florence.
38474 Raffaello Sanzio named Raffael Portrat of Lorenzo de Medici LEONARDO da Vinci Raffaello Sanzio named Raffael Portrat of Lorenzo de Medici mk137 1518 oils on linen collection Ira Spanierman New York
91515 Reverse side of the portrait of Ginevra de' Benci LEONARDO da Vinci Reverse side of the portrait of Ginevra de' Benci between 1474(1474) and 1478(1478) Medium oil on panel cyf
7852 Reverse side of the portrait of Ginevra de' Benci sg LEONARDO da Vinci Reverse side of the portrait of Ginevra de' Benci sg 1474-46 Oil on wood, 38,8 x 36,7 cm National Gallery of Art, Washington
38524 Rule fur the proportion of the human figure LEONARDO da Vinci Rule fur the proportion of the human figure mk137 after Vitruv 1490 feathers and ink, 34.4x24.5cm Galleria Dell' Accademia, Venice
30961 Saint jean-Baptiste LEONARDO da Vinci Saint jean-Baptiste mk70 Toile. H.0,69 L.0,57 Paris,Musee du Louvre
58589 Salai as John the Baptist LEONARDO da Vinci Salai as John the Baptist Salai as John the Baptist (c. 1514)??Louvre
38428 Self Portrait LEONARDO da Vinci Self Portrait mk137 ca.1512 Rotel on paper 33.3x21.3cm Biblioteca real, Turin
38457 Six studies fur naked or clothed men LEONARDO da Vinci Six studies fur naked or clothed men mk137 ca. 1480 feathers and ink 27.7x21cm muse you Louvre, Paris
58586 Small devotional picture by Verrocchio LEONARDO da Vinci Small devotional picture by Verrocchio Small devotional picture by Verrocchio, c. 1470
7859 St Jerome sgyu LEONARDO da Vinci St Jerome sgyu c. 1480 Oil on panel, 103 x 75 cm Pinacoteca Vaticana, Vatican, Rome
98120 St John in the Wilderness LEONARDO da Vinci St John in the Wilderness between 1510(1510) and 1515(1515) Medium oil on panel, transferred to canvas cyf
7876 St John the Baptist t LEONARDO da Vinci St John the Baptist t 1513-16 Oil on panel, 69 x 57 cm Mus??e du Louvre, Paris
38458 Studies fur the adoration of the Konige LEONARDO da Vinci Studies fur the adoration of the Konige mk137 ca. 1481 feathers and ink uber metal pencil uf paper 21.3x15.2cm Bonnat museum, Bayonne
38459 Studies fur the adoration of the Konige LEONARDO da Vinci Studies fur the adoration of the Konige mk137 ca. 1480 feathers and ink 16.6x26.5cm The British museum London
38498 Studies of children LEONARDO da Vinci Studies of children mk137 ca.1506-1508 black chalk, Uberarbeitet with feather and ink 20.4x15.2cm Royal Library, Windsor Castle
38487 Studies of horses LEONARDO da Vinci Studies of horses mk137 1493-1494 metal pencil 21.2x16cm Royal Library, Windsor Castle
38504 Study fur a women head LEONARDO da Vinci Study fur a women head mk137 ca. 1490 silver pencils on paper 18x16.8cm muse you Louvre, Paris
38456 Study fur the adoration of the Konige LEONARDO da Vinci Study fur the adoration of the Konige mk137 ca. 1480 feathers and ink 27.5x18cm Wallraf-Richartz museum, Koln
38511 Study fur the communion LEONARDO da Vinci Study fur the communion mk137 ca. 1495. Rotel Royal Library, Windsor Castle.
38512 Study fur the communion LEONARDO da Vinci Study fur the communion mk137 ca. 1495 Rotel. Royal Library, Windsor Castle.
38505 Study fur the head of a Madchens LEONARDO da Vinci Study fur the head of a Madchens mk137 ca. 1483 silver pencils 18.2x16cm Biblioteca real, Turin
45844 Study fur the Sforza monument LEONARDO da Vinci Study fur the Sforza monument mk178 1485-1490 silver pencil on blue paper 14.8x18.5cm
38486 Study fur the Sforza-Reiterstandbild LEONARDO da Vinci Study fur the Sforza-Reiterstandbild mk137 ca.1485-1490 charcoal and metal pencil Royal Library, Windsor Castle
38488 Study fur the Sforza-Reiterstandbild LEONARDO da Vinci Study fur the Sforza-Reiterstandbild mk137 ca.1485-1490 metal pencil on blue prepared paper 11.6x10.3cm Royal Library, Windsor Castle
38492 Study fur the Trivulzio-monument LEONARDO da Vinci Study fur the Trivulzio-monument mk137 1508-1511Feder and ink uber of black chalk 15.2x14.5cm Royal Library, Windsor Castle
38493 Study Fur the Trivulzio-monument LEONARDO da Vinci Study Fur the Trivulzio-monument mk137 1508-1511 black chalk on paper 20x12.4cm Royal Library, Windsor Castle
38510 Study of an apostle LEONARDO da Vinci Study of an apostle mk137 ca. 1495 feathers uber metal pencil before blue background 14.5x11.3cm Albertina museum Vienna
38448 Study of an old man LEONARDO da Vinci Study of an old man mk137 ca. 1505 Rotel 9.4x6cm muses you Louvre, Paris
38489 Study of the proportion of horses LEONARDO da Vinci Study of the proportion of horses mk137 ca.1481-1482 metal pencil 22x11cm Royal Library, Windsor Castle
38531 Study of the proportion of the head LEONARDO da Vinci Study of the proportion of the head mk137 ca. 1490 feathers and brown India ink, Royal Library, Windsor Castle
38460 The adoration of the Konige LEONARDO da Vinci The adoration of the Konige mk137 1481-1482 yellow Ocker and brown ink on wood chalkboard 246x243cm Galleria degli Uffizi, Florence
58584 The Adoration of the Magi LEONARDO da Vinci The Adoration of the Magi The Adoration of the Magi, (1481)??Uffizi.
34679 The Annunciation LEONARDO da Vinci The Annunciation mk96 104x217cm
55957 The annunciation LEONARDO da Vinci The annunciation 1472-75,oil on panel,38.675x85.375 in,98x217 cm,uffizi,florence,ltaly
84587 The Annunciation LEONARDO da Vinci The Annunciation Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
84588 The Annunciation LEONARDO da Vinci The Annunciation Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
84589 The Annunciation LEONARDO da Vinci The Annunciation Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
84591 The Annunciation LEONARDO da Vinci The Annunciation Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
88650 The Annunciation LEONARDO da Vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
88651 The Annunciation LEONARDO da Vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
88652 The Annunciation LEONARDO da Vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
88654 The Annunciation LEONARDO da Vinci The Annunciation between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
41945 The Anunciacion LEONARDO da Vinci The Anunciacion mk166 c. 1470 I wave and tempera on board of wood 98x217cm
58583 The Baptism of Christ LEONARDO da Vinci The Baptism of Christ The Baptism of Christ (1472?C1475)??Uffizi, by Verrocchio and Leonardo
7844 The Baptism of Christ (detail) sg LEONARDO da Vinci The Baptism of Christ (detail) sg 1472-75 Oil on wood Galleria degli Uffizi, Florence
28338 The Benois Madonna LEONARDO da Vinci The Benois Madonna Oil on canvas Transferred from panel 19 1/2x12 1/2"
38539 The embryo in the Uterus LEONARDO da Vinci The embryo in the Uterus mk137 ca.1510-1512 feather and ink with India ink uber Rotel 30x21.5cm Royal Library, Windsor Castle
38540 The Fotus in the Uterus LEONARDO da Vinci The Fotus in the Uterus mk137 ca.1511-1513 feather and ink 30.5x22cm Royal Library, Windsor Castle
42648 The last dinner LEONARDO da Vinci The last dinner MK169 ca.1495-98 Mural 460x856cm
34472 The Last Supper LEONARDO da Vinci The Last Supper mk93 1495-98 Fresco,Approx 29x15ft Santa Maria delle Grazie Milan
55981 the last supper LEONARDO da Vinci the last supper mk247 1495 to 98,fresco,180x346 in,460x879 cm,convent of santa maria delle grazie,milan,ltaly
56818 The Last Supper LEONARDO da Vinci The Last Supper mk250 About the Year in 1495-1498. Frescoes, 880 x 460 cm. Milan Thanksgiving Church of Our Lady canteen.
62018 The Last Supper LEONARDO da Vinci The Last Supper mk276 1495 mural years 460 x 880cm
7866 The Last Supper (detail) sg LEONARDO da Vinci The Last Supper (detail) sg 1498 Mixed technique Convent of Santa Maria delle Grazie, Milan
7865 The Last Supper sgu LEONARDO da Vinci The Last Supper sgu 1498 Mixed technique, 460 x 880 cm Convent of Santa Maria delle Grazie, Milan
7854 The Madonna of the Carnation g LEONARDO da Vinci The Madonna of the Carnation g 1478-80 Oil on panel, 62 x 47,5 cm Alte Pinakothek, Munich
7856 The Madonna of the Carnation (detail) dg LEONARDO da Vinci The Madonna of the Carnation (detail) dg 1478-80 Oil on panel, width of detail: 25 cm Alte Pinakothek, Munich
7855 The Madonna of the Carnation (detail) sg LEONARDO da Vinci The Madonna of the Carnation (detail) sg 1478-80 Oil on panel Alte Pinakothek, Munich
38429 The madonna with the Children LEONARDO da Vinci The madonna with the Children mk137 1475-1478 oil on linen of wood ubertragen 49.5x33cm Eremitage, St Peter castle
38507 The master of the Pala Sforzesca attributed LEONARDO da Vinci The master of the Pala Sforzesca attributed mk137 Frauenbuste silver pencil 23.6x15.5cm Galleria degli Uffizi, Florence
38530 The muscles of arm, shoulder and neck LEONARDO da Vinci The muscles of arm, shoulder and neck mk137 after 1510 feathers and ink with India ink 28.5x19.5cm Royal Library, Windsor Castle
38533 The muscles of Thorax and shoulders in a lebnden person LEONARDO da Vinci The muscles of Thorax and shoulders in a lebnden person mk137 1510 feathers and brown ink and black chalk with India ink 29.8x19.8cm Royal Collection, Windsor Castle
38536 The organs of the woman LEONARDO da Vinci The organs of the woman mk137 ca. 1509 feathers and ink uber charcoal and traces of Rotel with dark brown India ink 46.7x33.2cm Royal Library, Windsor Castle.
58587 The Portinari Altarpiece LEONARDO da Vinci The Portinari Altarpiece The Portinari Altarpiece, by Hugo van der Goes for a Florentine family
7864 The Refectory with the Last Supper after restoration g LEONARDO da Vinci The Refectory with the Last Supper after restoration g 1498 Convent of Santa Maria delle Grazie, Milan
38439 The Verkundigung LEONARDO da Vinci The Verkundigung mk137 1472-1475 oils on wood chalkboard 98x217cm Galleria degli Uffizi, Florence
83590 The Virgin and Child with St Anne LEONARDO da Vinci The Virgin and Child with St Anne Date ca. 1510(1510) Medium Oil on wood Dimensions Height: 168 cm (66.1 in). Width: 130 cm (51.2 in). cjr
84105 The Virgin and Child with St Anne LEONARDO da Vinci The Virgin and Child with St Anne Date ca. 1510(1510) Medium Oil on wood Dimensions Width: 40 cm (15.7 in). (of detail) cjr
7873 The Virgin and Child with St Anne ey LEONARDO da Vinci The Virgin and Child with St Anne ey c. 1510 Oil on wood, 168 x 130 cm Mus??e du Louvre, Paris
7875 The Virgin and Child with St Anne (detail) f LEONARDO da Vinci The Virgin and Child with St Anne (detail) f c. 1510 Oil on wood, width of detail 40 cm Mus??e du Louvre, Paris
7874 The Virgin and Child with St Anne (detail) s LEONARDO da Vinci The Virgin and Child with St Anne (detail) s c. 1510 Oil on wood Mus??e du Louvre, Paris
33471 The Virgin and St Anne LEONARDO da Vinci The Virgin and St Anne mk86 c.1508 Oil on wood 168x130cm Paris,Musee National du Louvre
21288 The Virgin and St Anne (mk08) LEONARDO da Vinci The Virgin and St Anne (mk08) c.1508 Oil on wood,168x130cm Paris,Musee National du Louvre
41957 The Virgin and the Nino with Holy Ana LEONARDO da Vinci The Virgin and the Nino with Holy Ana mk166 Between 1508 and 1510 Painting on wood 168x130cm
41959 The Virgin of the rocks LEONARDO da Vinci The Virgin of the rocks mk166 1483 I Wave on cloth 199x12cm Museum of the Louvre, Paris
58591 Unfinished painting of St. Jerome in the Wilderness LEONARDO da Vinci Unfinished painting of St. Jerome in the Wilderness Unfinished painting of St. Jerome in the Wilderness, (c. 1480), Vatican
21275 Virgin and Child with St Anne and St John the Baptist (mk08) LEONARDO da Vinci Virgin and Child with St Anne and St John the Baptist (mk08) c.1495 Charcoal,heightened with white , on cardboard 141.5x104cm London,National Gallery
55994 virgin and child with st.anne LEONARDO da Vinci virgin and child with st.anne mk247 c.1510,oil on poplar,66x51 in,168x130 cm,louvre,paris,france
21287 Virgin of th Rock (mk08) LEONARDO da Vinci Virgin of th Rock (mk08) c.1483 Oil on wood,transferred to canvas, 199x122cm Paris,Musee National du Louvre
33469 Virgin of the Rocks LEONARDO da Vinci Virgin of the Rocks mk86 c.1483 Oil on wood Transferred to canvas 199x122cm Paris,Musee National du Louvre
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LEONARDO da Vinci
Italian High Renaissance Painter and Inventor, 1452-1519 Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.
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